Showing posts with label UFO Fact and Fantasy. Show all posts
Showing posts with label UFO Fact and Fantasy. Show all posts

Wednesday, February 6, 2013

The CIA, the Movie Mogul, and 'The Day the Earth Stood Still'

By Robbie Graham Silver Screen Saucers
First contact: The Day the Earth Stood Still (1951)

Evidence mounts that iconic 1951 movie was CIA UFO acclimation project 
__________________________
 
  • Darryl Zanuck – the movie mogul who oversaw the film’s production – was a CIA asset.
  • Zanuck was considered a “friend” of the US government who could be “relied upon” to subtly “insert ideas” into his productions.
  • Zanuck helped shape the script for The Day the Earth Stood Still and wanted audiences to “completely accept” that open ET contact could happen “in the not too distant future.”
 

Sunday, February 3, 2013

'Hangar 18', the CIA, and the Mormon Church

By Robbie Graham Silver Screen Saucers


Embedded below is a detailed write-up of my ongoing research into the historical corporate, political and religious connections of the film studio Sunn Classic Pictures -- the early output of which reflected a strong interest in Biblical figures and the idea of extraterrestrial visitation.

In the context of UFOs, the studio is perhaps best known for its 1980 conspiracy movie, Hangar 18...

This article was originally published at Earthfiles.com
 


Related:

Hangar 18 and Predictive Weirdness (by Mike Clelland)

A History of Government Management of UFO Perceptions through Film and Television

Saturday, June 16, 2012

“Alien language” presented by CIA & Disney

By Robbie Graham Silver Screen Saucers

UPDATED: 19 JUNE, 2012

SCROLL DOWN FOR NEWLY ADDED IMAGES FROM RACE TO WITCH MOUNTAIN FEATURING SYMBOLS - AND CODE (?) - DESIGNED BY THE MOVIE'S CIA ADVISOR...

Nordic aliens in Disney's Race to Witch Mountain (2009).

One of the most eyebrow-raising cases of government involvement in a Hollywood UFO movie in recent years is that of Race to Witch Mountain (2009), which apparently received extensive support from the CIA – albeit in an ‘off the books’ capacity – despite its plot drawing extensively from UFO mythology (with references both to Area 51 and Roswell) and its presentation of a sinister government UFO cover-up.

In 2010, the film's director, Andy Fickman – a self-described “UFO enthusiast” born and raised in Roswell, New Mexico – told me that, although he personally shaped the majority of the film’s UFO-related content, at least some of it was the result of CIA input. The director claims that, in a highly unusual production arrangement, he and his crew were closely assisted by an active employee of the CIA whose advice extended to designing the alien writing seen in the flying saucer during the film’s climactic scenes. 

Race to Wicth Mountain: inside the flying saucer.

Despite my best efforts, Fickman has been unwilling to reveal to me the identity of his CIA advisor, but claims he’s a former Air Force Technical Intelligence Officer, that he had been “very active in Hollywood,” and “had a lot of connections in the computer world and [experience in] satellite imagery.”Fickman said of his CIA advisor:

All of the on-camera alien language in terms of their spaceship and everything – that was all designed by him in the sense [of what] the mathematics of communication would be, so you know... there would be a similar mathematical equation that the government probably has if they were to ever come across an alien race. So a lot of the things we ended up using were things he was bringing to me... and the next thing you know, that’s what I had on screen. 

The alien “language” to which Fickman refers appears onscreen in Race to Witch Mountain in the form of holographic symbols aboard the Nordic aliens’ flying saucer. Some are simple, some are more elaborate. Presented below are three of the most frequently recurring symbols that appear in the climactic scenes of the movie...

Morse code-type design as featured in the Race to Witch Mountain DVD menu.
This 'code' also appears in the film alongside various symbols.

Race to Witch Mountain DVD menu featuring various symbols that appear in the film. Not all symbols are displayed here.

The symbol pictured right frame appears frequently in Race to Witch Mountain's flying saucer. In the film it is seen to rotate.

Left frame: the flying saucer's schematic.

The question, of course, is what do these symbols mean? Besides some of them bearing a passing resemblance to certain crop formations (the authenticity of which is debatable), it is difficult to ascribe any significance to them beyond the fact that they were designed by an alleged CIA operative.


Has the CIA, in cooperation with Disney, presented us with real alien symbols / language? If so, to what conceivable end? In all likelihood, the symbols mean nothing, but it would be remiss of me not to throw them out there for feedback. Your comments are welcome.

More information on CIA involvement in Race to Witch Mountain can be found in my article UFOs and Disney: Behind the Magic Kingdom.


Saturday, April 21, 2012

'Avengers' aliens are shapeshifting reptilians?

By Robbie Graham Silver Screen Saucers


Marvel’s The Avengershas previewed to high praise from critics, currently scoring an impressive 96% at RottenTomatoes.com. 

Empire Magazine calls the movie “A joyous blend of heroism and humour that raises the stakes even as it maintains a firm grip on what makes the individual heroes tick.” Empire does have some minor complaints about The Avengers, however. One of which is that:

“The alien army... are very throwaway, bland types who serve as little more than intergalactic cannon-fodder. Yes, they’re from the Marvel universe (we won’t name them, but they’re not who has been rumoured [the Skrulls]), but they display very little in the way of unique abilities.”

Empire’s unwillingness to name the alien race matters not, though, as the movie’s director, Joss Whedon, spilled the beans himself at a press conference earlier this month, revealing that “The alien race are the Chitauri — or a version of them.”

Chitauri attack in Marvel's The Avengers (2012)

According to Marvel Database, the Chitauri – which exist as part of the Ultimate Marvel universe – are:

a shapeshifting alien species who have attempted to conquer the Earth, most notably during World War II and again in the early 21st century... The Chitauri were able to mimic human form and absorb human knowledge, apparently by ingesting the bodies or brains of the humans they imitated.”

The Marvel Database further states of the Chitauri “claim to be part of ‘the immune system of the Universe’, wiping out disorder and free will wherever they find it.” 

Interestingly in the context of UFOlogical conspiracy theory, when in their true form, the Chitauri “appear to be large, and reptilian.” They prefer to “act behind the scenes, mimicking and influencing the social and military methods of the species they are currently infiltrating. For example, they aided the Nazis in their attempt at world conquest by providing them with the technology to create a nuclear bomb carried by an intercontinental ballistic missile.”

Naturally, for the UFO buff, this calls to mind theories surrounding alleged reptilian beings described in numerous abduction accounts, and also the popular idea that these “reptoids” have long played a hidden part in humanity’s political affairs.

Click to enlarge
It is notable that the Chitauri have also attempted to quietly conquer Earth using “long-term methods of manipulation such as will-inhibiting drugs in many nations' water supplies, influencing the media, and R.F.I.D. (Radio-frequency identification) microchips to be implanted in schoolchildren, among other means.”

How much of the Chitauri’s comic book mythology has actually been incorporated into the upcoming Avengers movie remains to be seen. But if Empire’s “bland cannon fodder” comments are anything to go by then, it would seem, not very much. Also, the Chitauri as shown in the movie’s trailers (see above) and as represented in toy form (see right) do not appear overtly “reptilian.” But then, perhaps we’ve yet to see them in their true scaly form. All will be revealed when Marvel's The Avengers hits cinemas on April 26. In the meantime, if you’re hungry for more insight into the movie’s production, here’s 20 minutes of on-set footage...


Friday, March 30, 2012

The Good Guys Dress in Black, Remember That: How Movies and Music Rewrote MIB Lore

By Robbie Graham Silver Screen Saucers

Exclusive artwork courtesy of David Sankey

The line between documented UFOlogical fact and speculative pop-cultural fiction has always been blurry, but it disappeared in spectacular fashion back in 1997 with the release of the hugely successful Men in Black. As any student of the UFO subject knows, civilian encounters with the enigmatic ‘MIBs’ have been documented for decades in relation to mysterious aerial objects, and those who have been unfortunate enough to attract the attention of these black-clad mystery-men typically describe them as creepy, imposing and outright threatening in their behaviour. But Steven Spielberg’s big-budget production (based on the comic book by Lowell Cunningham) re-spun MIB-lore in favour of the Men in Black themselves and of government secrecy surrounding the UFO phenomenon. It was a message encapsulated by Will Smith’s Grammy Award-winning title rap for the movie’s soundtrack:

The good guys dress in black, remember that
Just in case we ever face to face and make contact...
We’re your first, last and only line of defense
Against the worst scum of the universe
So don’t fear us, cheer us
If you ever get near us, don’t jeer us
We’re fearless...

Let me tell you this in closin'
I know we might seem imposin'
But trust me, if we ever show in your section
Believe me, it's for your own protection
Cuz we see things that you need not see
And we be places that you need not be
So go with your life, forget that Roswell crap
Show love to the black suit, cuz
That's the Men in
That's the Men in...

And, well, you know the rest.

In the minds of the many unfamiliar with UFOlogy, Men in Black would now and forever be associated exclusively with a movie and a song of the same name – with science fiction cinema (and Will Smith) rather than reported historical encounters. Moreover, MIBs went from being sinister witness-harassers to heroic “galaxy-defenders.” Such is the power of entertainment.

This power that entertainment – particularly cinema – wields over our perceptions of complex political issues was something legendary 20th Century Fox Production Chief Darryl Zanuck understood with crystal clarity. In 1943, while serving with the Army Signal Corps, Zanuck said: “If you have something worthwhile to say, dress it up in the glittering robes of entertainment and you will find a ready market... Without entertainment, no propaganda film is worth a dime.”

The Men in Black franchise may not be movie propaganda in the traditional sense (in that it was not pushed into production by the state for political ends), but it serves the UFO-related interests of the national security state nonetheless in its presentation of a just cover-up of extraterrestrial visitation orchestrated by a covert, yet entirely righteous organisation that, by necessity, operates without legal oversight for the good of all mankind.




If the time ever comes when Disclosure is forced upon the US government and the President is called upon by his citizens to justify the UFO secrecy that has metastasised for over sixty years behind the most impenetrable layers of America’s national security state, he need not prepare an elaborate speech, but say, quite simply: “Go watch Men in Black.”

Sunday, March 25, 2012

'Men in Black 3' retro aliens revealed

By Robbie Graham Silver Screen Saucers

Legendary monster make-up artist Rick Baker spoke enthusiastically at last summer’s San Diego Comic-Con about his alien creature designs for the upcoming Men in Black 3. As sizable chunks of the time-travel-themed movie are set in 1969, Baker said he had been allowed to indulge his passion for retro alien beasties, telling his Comic-Con audience:
“Right from the first movie, I was always saying to Barry [Sonnenfeld], ‘Let’s do aliens that look like aliens we’ve already seen... Let’s say that Paul Blaisdell, who did the effects for Invasion of the Saucer Men, actually had a real encounter with an alien and tried to recreate it on film, so there are saucer men in the Men in Black headquarters. And let’s have E.T. in there, operating the phone.' Barry didn’t like any of those ideas, he thought they were stupid. But when Men in Black 3 came along and I heard about the time-travel element, I said, ‘Okay, it’s set in 2012, so we’ll have aliens that look like 2012 aliens in that part of the film. But when we go back to 1969, wouldn’t it be cool to have retro aliens? Big brains, bug eyes, stuff like that?’ I thought they should have a totally different, retro feel. And they agreed to it, thank God. So I got to make a whole bunch of cool stuff.”

Well, here we are in March, 2012, with just two months to go before the movie’s release, and finally we’re afforded a glimpse at the fruits of Baker’s labour. These photos come to you via Russia’s Stark Industries...


It seems Baker has been true to his word about drawing inspiration from Invasion of the Saucer Men, which helped popularise the term “little green men” in 1957. 1953’s Robot Monster also gets a nod!
Men in Black 3 hits cinemas May 25.

Friday, March 23, 2012

Obama, Roswell, and 'The Day the Earth Stood Still'

By Robbie Graham Silver Screen Saucers

Ask President Obama the quickest way to fictionalize a real event and he'll tell you: brush it gleefully with Hollywood dust.

Earlier this week, while in Maljamar, New Mexico, President Obama dropped the R-bomb on reporters in a cheap effort to elicit some laughs. It worked better than ever, because in his next breath he paraphrased the 1951 UFO movie, The Day the Earth Stood Still, in which the enlightened alien, Klaatu, tells the people of Earth: “We have come to visit you in peace and with good will.”

The President then proceeded to... threaten to kill young children who ask him about Roswell??




You heard the man, "We're gonna keep our secrets here," whatever that means. Don't worry, Mr. President. Your comments may have turned a little sinister towards the end, but all the headlines will recall is your whimsical sci-fi movie soundbite... see!

Related:

Did President Obama Fumble the UFO Cover-up?

"Klaatu Barada Nikto" (Guest Blogger: Grant Cameron)

UFOs and Hollywood: Blurring the Line Between Fact and Fantasy

Thursday, March 22, 2012

‘Battleship’ movie: Goldilocks planets and the perils of ET contact

By Robbie Graham Silver Screen Saucers

Battleship hits cinemas 11 April (UK) and 18 May (US)

Back in 2010, the alien invasion film Skyline incorporated real news stories into its marketing campaign. The trailer for the film begins with bold text against a cosmic backdrop reading:

“On August 28, 2009, NASA sent a message into space farther than we ever thought possible in an effort to reach extraterrestrial life.”

This is true. On the date specified, the Australian government, through its “Hello from Earth” science initiative, and with the help of NASA, sent some 26,000 (carefully vetted) messages from the public to the extra-solar Earth-like planet Gliese 581d in a single transmission. This proactive approach to alien contact known as METI (Messaging Extraterrestrial Intelligence) differs from the traditional passive approach favoured by SETI (Search for Extraterrestrial Intelligence), which devotes its efforts simply to listening for any potential incoming alien signals.

The METI approach is controversial as some scientists consider it unwise to knowingly alert our presence in the galaxy to any potentially technologically superior civilizations. In April 2010, Professor Stephen Hawking made international headlines by stating his firm belief that humanity should seek to avoid extraterrestrial contact: "To my mathematical brain, the numbers alone make thinking about aliens perfectly rational," Hawking said, but added, ominously, "If aliens ever visit us, I think the outcome would be much as when Christopher Columbus first landed in America, which didn't turn out very well for the American Indians.” Hawking suggested that aliens "might exist in massive ships, having used up all the resources from their home planet” and would perhaps be “looking to conquer and colonise whatever planets they can reach.”




Skyline was a box-office bomb, panned by critics. Despite this, director Peter Berg has chosen to incorporate the “dangers of METI” idea into his upcoming mega-movie, Battleship (which was produced with the full cooperation of the US Navy).

Take a look at this new promotional featurette for Battleship, in which scientists take a proactive approach to extraterrestrial contact, sending a signal directly to a 'Goldilocks' planet...




Silly, arrogant scientists. What, with their selfish desire to expand human knowledge, and all. And, man, is that lead scientist fugly – and British to boot!! The stunningly attractive US military has better things to do with its time than sweep up the sciency mess of bumbling British boffins. But, then, who’s gonna kick those aliens’ asses if not... Rihanna? Wait...

Monday, March 5, 2012

'MIB 3' viral campaign encourages public to report UFO encounters

By Robbie Graham Silver Screen Saucers

The viral marketing campaign for Men in Black 3 is intensifying in anticipation the movie’s May 25 release date. Late last year, a mock conspiracy theory blog popped up run by a UFO-obsessed 14-year-old boy calling himself "BugEyes126.” Back in January this year, BugEyes dropped hints that the Large Hadron Collider might be making an appearance in Men in Black 3.

Things just got a whole lot more interesting, however. This morning, ComingSoon.net spotted an intriguing poster in the New York City subway...


By dialling the number on the poster (which I did), callers are greeted with the following message from BugEyes himself:

“Hey, I’m BugEyes, and this phone call just might change your life forever. What if I told you nothing is what it seems and everything you thought you knew was a lie? Welcome to the Men in Black Suites Are Real Hotline.”

The caller is then presented with a number of options to access further information. If you press #1, BugEyes tells you:

“First, I need you to know this mission is both critical and risky. Extraterrestrials live among us. Seriously. How cool is that, right? But even cooler than that – there’s a secret organisation of these Men in Black suits that watch over them.”

BugEyes then tells you he needs your help:

“If you have any information on extraterrestrial sightings... I want to hear from you.”

Finally, BugEyes hits you with a slightly sinister disclaimer:

“By leaving your message, you grant TheMeninBlackSuitsAreReal.com permission to use your voice and anything you tell me about yourself, and any portion of the content of your message in audio or text form as part of the MIBs experience without additional consent or compensation. Just letting you know.”

You are then encouraged “to leave a message on any extraterrestrial activity in your neighbourhood.” 

Will callers’ messages end up being used in a future stage of the MIB 3 viral campaign? If so, then - assuming any callers are gullible enough to report genuine UFO encounters - Men in Black 3 may be taking Hollywood’s historical blurring of UFO fact and fantasy to a whole new level.

Thursday, January 19, 2012

Man in Black to play legendary UFO insider in new movie... but no UFOs on the radar

By Robbie Graham Silver Screen Saucers

Men in Black star Tommy Lee Jones has secured the part of General Douglas MacArthur in the upcoming historical drama, Emperor, which ComingSoon.net describes as “an epic story of love and understanding set amidst the tensions and uncertainties of the days immediately following the Japanese surrender at the end of World War II.” MacArthur – as the de facto ruler of post-War Japan in his role as Supreme Commander of the occupying forces – will be a major character in the story.

Emperor is based on a screenplay by David Klass (Walking Tall, Desperate Measures) and Vera Blasi (Woman on Top). It stars Matthew Fox as General Bonner Fellers, “one of MacArthur
s leading Japanese experts, who, at the end of World War II, is charged with reaching a decision of historical importance: should Emperor Hirohito be tried and hanged as a war criminal?”

ComingSoon.net continues:

“Interwoven with this nail-biting political thriller is the story of Fellers love affair with Aya, a Japanese exchange student he had met years previously in the U.S. Memories of Aya and his quest to find her in the ravaged post-war landscape help Fellers to discover both his wisdom and his humanity and enable him to come to the momentous decision that changed the course of history and the future of two nations.”

Politically fascinating material, for sure, and more than worthy of the silver screen treatment. Also fascinating are General MacArthur’s alleged ties to the UFO issue and public statements he made about what he perceived to be a potential threat to Earth from extraterrestrials. In a speech to cadets of the U.S. Military Academy at West Point in May, 1962, MacArthur said:

“We deal now, not with things of this world alone, but with the illimitable distances and as yet unfathomed mysteries of the universe. We are reaching out for a new and boundless frontier. We speak in strange terms, of harnessing the cosmic energy... of ultimate conflict between a united human race and the sinister forces of some other planetary galaxy.”

The General made a similar statement to the Mayor of Naples, Achille Lauro, in 1955. In an October 7 meeting between the two men that took place in New York, MacArthur told Lauro that the nations of Earth would one day be forced to “make a common front against attack by people from other planets.”

MacArthur and President Truman, Wake Island, Oct. 15, 1950

What inspired such seemingly bizarre comments from MacArthur may never be known for sure, but certain ‘whistleblowers’ have suggested that the General was intimately involved with the UFO/ET issue, both during and after the War.

Disclosure Project witness Buck Sergeant Leonard Pretko (USAF retired), for example, is on record with his story of how, in the early 1950s, one of MacArthur’s personal security guards told him that “General Douglas MacArthur was very familiar with the Roswell incident, the crash material, and also the bodies because he himself has seen them.”

Another Disclosure Project witness, Sergeant Clifford Stone – who claims to be a deep insider on the UFO/ET issue – goes even further. Stone says that MacArthur was in charge of the Army’s Interplanetary Phenomenon Unit (IPU), which is thought to have been established sometime during the early-to-mid-1940s.

In September 2000, Stone told Disclosure Project Director Steven Greer that the IPU “continued all the way through to present day. Names have changed and records still haven’t surfaced.” Stone, also said that the IPU bore fruit:

“It came to conclusions that were not popular, i.e. interplanetary spacecraft. And they [the IPU] continued to do exactly what they do today and that is to be part of a multi-intelligence operation in the recovery of objects of unknown origin, particularly those that are of non-Earthly origin.”

Stone went on to tell Greer that the IPU’s purpose is to “get raw field intelligence data, and process that data into some type of useful intelligence product to disseminate to the field – to those people who have a need to know.”

“MacArthur definitely had physical evidence,” said Stone. “From the documentation I saw [while working this issue in the Army], I was not able to ascertain exactly what that evidence consisted of, but it was there.”

The IPU is intriguing. Still shrouded in mystery, the existence of the unit was not formally acknowledged until 1984 (approximately forty years after its formation) when UFO researcher William Steinman made an enquiry about the IPU with the Army Directorate of Counterintelligence. In response to Steinman’s enquiry, Lieutenant Colonel Lance Corine explained that:

“The unit was formed as an in-house project purely as an interest item for the Assistant Chief of Staff for Intelligence. It was never a ‘unit’ in the military sense, nor was it ever formally organized or reportable, it had no investigative function, mission or authority and may not even have had any formal records at all. It is only through institutional memory that any recollection exists of this unit.”

Three years later, in 1987, UFO researcher Timothy Good made a similar enquiry with the same office. The response was brief and clearly intended as the Army’s final word on the subject – but it was also encrusted with a twinkly UFOlogical nugget: the IPU’s files, it turned out, had long ago been handed over to Project Blue Book – the US Air Force’s long-running UFO investigations program that was disbanded in 1969.

Colonel Anthony Gallo Jr, Director of Counterintelligence, informed Good that the IPU “was disestablished during the late 1950’s and never reactivated. All records pertaining to this unit were turned over to the US Air Force Office of Special Investigations in conjunction with operation ‘BLUEBOOK’.”

Letter to Timothy Good confirming that the IPU's files were turned over to Blue Book

That the Interplanetary Phenomenon Unit was associated with the UFO issue is hugely significant in light of the unit’s name: this was not a unit concerned with the discussion or investigation of advanced German or Soviet technology; it was not concerned with flocks of geese, weather balloons, swamp gas or other unusual atmospheric phenomena as explanations for UFOs. No, the IPU’s UFO concerns were“interplanetary” in nature...


in·ter·plan·e·tar·y:

adj.

Existing or occurring between planets


Some UFO researchers believe that the IPU was established in response to the Battle of Los Angeles, in which flying elliptical objects – still unidentified to this day – were sighted over LA on the morning of February 25, 1942. The unknown objects were greeted by heavy but seemingly ineffectual artillery fire from the US Army. Six civilians were killed during the “raid.”

It is notable that, to date, no documentation from the IPU whatsoever has been officially released. However, a number of leaked documents – the authenticity of which is debatable – paint a truly eye-popping picture of the IPU’s activities during the 1940s. In one document, dated March 5, 1942 – just nine days after the Battle of Los Angeles – General George C. Marshall states in a Top Secret memo to the President:

“This Headquarters has come to the determination that the mystery airplanes are in fact not earthly and according to secret intelligence sources they are in all probability of interplanetary origin."

Marshall continues: "As a consequence I have issued orders to Army G2 that a special intelligence unit be created to further investigate the phenomenon...” Thus was established the Interplanetary Phenomenon Unit, which, so the story goes, would soon be headed-up by General MacArthur in close cooperation with General Marshall himself.

IPU field order instructing the officer in charge (OIC) to lead a counterintelligence team (including a scientist and medical doctor) to the Roswell crash site and to provide a report by 28 July. This leaked document is dated 4 July, 1947.

Admittedly, rumours of MacArthur’s involvement with the IPU have never been fully substantiated, but then neither have rumours about J. Edgar Hoover’s romantic feelings for his FBI number-two man, Clyde Tolson. Clint Eastwood nevertheless saw fit to explore these rumours in his recent biopic of the FBI head honcho, J. Edgar – a movie in which the UFO issue receives not one mention, despite reams of official FBI documentation detailing Hoover’s forty-year preoccupation with flying saucers.

I am certainly not suggesting that all biopics of historical figures whose lives have intertwined with the UFO mystery should devote screen time to the issue (though, in a post-disclosure world, this may well become the norm), but how refreshing it would be for just one Hollywood screenwriter, just once, to draw inspiration from beyond the established historical meta-narrative and to transcend generic conventions when penning biopics of heavyweight political, military, and intelligence figures. John F. Kennedy, Bobby Kennedy, Richard Nixon, George W. Bush, James Jesus Angleton, Margaret Thatcher – all have had varying degrees of knowledge about the UFO issue, and all have been the subject of award-winning Hollywood movies in which the term “UFO” is not once uttered.

The upcoming Emperor may tick all the boxes required to receive an Oscar (and no doubt Tommy Lee Jones is already making space on his awards shelf), but ask yourself: what would you rather the focus be in a movie about MacArthur – a predictable cross-cultural romance as promised by the synopsis, or, instead, a legendary military leader in a war-torn land, deeply concerned, not only by weighty post-War terrestrial matters, but also by “interplanetary” events quietly but dramatically impacting our world (details of which are known only to the most highly polished of officialdom’s top brass), all the while trying desperately not to drop the ball for fear that enemy nations will exploit these otherworldly phenomena to their military advantage...

Now that’s a movie I’d pay to see. Sadly, I think I’ll be waiting a while to see it.

 
Related: